Abstract:
This article addresses meta-theoretical issues. Its core concern is to find a coherent conceptual language and an integrated research perspective which would allow to describe various experimental forms of artistic expression claiming the name of “translation”. Particular attention is paid to those literary and non-literary artistic experiments which obligatorily activate the interpretive context of translation proper and therefore require translational analytical tools. The methodological framework for research is provided by the ongoing “outward turn” in western European “post-translation studies”.